RUNDHOLZ PARFUMS FEB.14,1912 50ML SPRAY EAU DE PARFUM

FEBRUARY 14, 1912 reveals itself to be a chameleon with shiny shapes, as the creation brings with it both warmth and a hint of delicate freshness. The feeling of warmth on the skin and the silky, milky comfort meet that irresistible touch of sweet and sour astringency that vaguely resembles green coffee beans. Deliciously enriched with star anise, aromatic fennel seeds and licorice, this spiced milk spreads delicacy and comfort. The balsamic accents in the sand-colored leather make you sit and notice, so powerful, spicy, sensual and confusingly attractive are they. The scene is illuminated by the iridescent sparkle of the Hesperides, which delicately mediates between contrasts, attenuating the passage to the heart. In the seductive and surprisingly delicate nuances of the floral heart, a sublimity and fine, powdery elegance dominate, undoubtedly due to the earthy iris. Wrapped in the tangy tingling of a garden carnation and diffused dull silvery dryness, it blossoms into a poignant beauty. Rose and jasmine also briefly submit to its silent dominance and initially only serve to further emphasize the elegant brilliance of the iris. The longer the skin and fragrance molecules stick together, the more powdery dryness turns into velvety softness. Shortly after, a radiant rose climbs to the softer, crumpled notes of leather. Captivating moments of delicacy set the tone for the story. Creamy musk, flavored with a hint of tonka bean, along with delicate smoked cedar woods and heliotrope, skillfully emphasize the softness of the rose. Together they create delightful accents and ensure infinite depth. FEBRUARY 14, 1912 cannot be defined with certainty. Precious boudoir moments in silk, kissed skin and leathery fetishes. Powder pink delicacy, feminine sweetness and sublime elegance. Warm spicy milk, dry woods and masculine astringency. FEBRUARY 14, 1912 plays with contrasts in such a virtuous way that one can never fully grasp the complexity of the composition. And this is precisely what makes Arturetto Landi's symphony so irresistibly attractive. Excitingly different and unusually confident. Clear and elegant. Simple and expressive. In reality, it is a real round wood.